Moby – More Fast Songs About The Apocalypse (2017) [WEB FLAC]

Moby - More Fast Songs About The Apocalypse (2017) [WEB FLAC] Download

Artist: Moby
Album: More Fast Songs About The Apocalypse
Genre: Electronic
Year: 2017
Size: ~ 255 mb
Source: Digital Download
Format: FLAC (tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

Less than a year after the project’s debut, Moby & the Void Pacific Choir return with a follow-up, More Fast Songs About the Apocalypse. The aptly titled sequel to 2016’s These Systems Are Failing is another abrasive collection of hardcore and post-punk ravers that should please fans of Moby’s one-off solo punk experiment, 1996’s Animal Rights. The spirits of major Moby influences like Agnostic Front and Mission of Burma can be heard throughout Apocalypse, from the manic pounding of “Trust” and the unrelenting anxiety of “If Only a Correction of All We’ve Been” to the rhythmic drone of “A Softer War” and the digital mayhem of “All the Hurts We Made.” There’s even a semi-industrial/EBM-lite bend to the album — think Trent Reznor gone pop — that adds buzz and grit to his drum loops and wounded vocals. Much of the album bleeds together and tends to sound the same — the persistent throbbing is the heartbeat that keeps Apocalypse going — but at a swift nine songs, it manages to be an appropriate dose of angst and frustration that taps into the producer’s pissed off, social activist side. The shadow of the 2016 United States presidential election looms large over the project. The outspoken artist’s anger and exhaustion is palpable, so even songs about simple heartbreak and loss come packed with a gravitas borne of wider issues (the desperate “There’s Nothing Wrong with the World There’s Something Wrong with Me” is a fine example). On “In This Cold Place,” Moby sings, “I’m tired/of feeling like it’s prison without walls/And I’m tired of feeling so alone and nothing more.” Whether his fatigue is the result of a failed connection or the futility felt in uncertain times, the sentiment will be painfully familiar to anyone who’s ever thrown their hands up in resignation to the fates. Those in search of another “Porcelain” or “Bodyrock” might want to look elsewhere: Apocalypse is a refreshing change of pace, a frantically urgent statement that taps into the visceral with a welcome blast of noise from a voice that still has much to say.

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Goldie – The Journey Man [Deluxe Edition] (2017) [WEB FLAC]

Goldie - The Journey Man [Deluxe Edition] (2017) [WEB FLAC] Download

Artist: Goldie
Album: The Journey Man [Deluxe Edition]
Genre: Electronic
Year: 2017
Size: ~ 1.20 gb
Source: Digital Download
Format: FLAC (tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

The first superstar produced by the breakbeat jungle movement, Goldie popularized drum’n’bass as a form of musical expression just as relevant for living-room contemplation as techno had become by the early ’90s. Though he hardly developed the style, and his later reliance on engineers like Rob Playford and Optical to capture his sound puts into question his true musical importance, Goldie became one of the first personalities in British dance music, his gold teeth and b-boy attitude placing him leagues away from the faceless bedroom boffins who had become the norm in intelligent dance music. For the first time, England had a beat maestro and tough-guy head who could match the scores of larger-than-life hip-hop stars America had produced, and the high profile of drum’n’bass as the first indigenously British dance music made Goldie a figure of prime importance. After spending several years working on his production skills at Reinforced Records (the home of 4hero), he founded Metalheadz Records, which released seminal dark yet intelligent singles by Source Direct, Photek, J. Majik, Optical, Lemon D, Wax Doctor, and Peshay, among others. In 1995, Goldie released Timeless, one of jungle’s first and best full-length works of art. The album put him squarely at the top of the drum’n’bass heap — at least in the minds of critics and mainstream listeners — though his follow-up, SaturnzReturn, displayed an ambitious, personal side of Goldie hardly in keeping with jungle’s producer mentality. A native of Walsall, England, Goldie was born to a Scottish-Jamaican couple and put up for adoption. He bounced around child-care homes and several sets of foster parents during his childhood years, and became fascinated with the rise of hip-hop, breakdancing, and graffiti art. By 1986, he was involved with breakdancing crews around his home of Wolverhampton; after making several trips to London for all-day breakdancing events (and to see hip-hop pioneer Afrika Bambaataa), Goldie appeared in the English documentary on graffiti art called Bombing. He also spent time in New York and Miami (working in a market stall selling customized gold teeth), but returned to England by 1988. For a time, Goldie worked at the Try 1 shop in Walsall (also selling gold teeth), then moved to London. He began hanging out with two fellow heads from the British hip-hop scene, Nellee Hooper and 3-D (later of Massive Attack), and by 1991 he’d been introduced to the breakbeat culture that birthed jungle; at the seminal club night Rage, DJs Grooverider and Fabio pitched ancient breakbeats up to 45 rpm, blending their creations with the popular rave music of the time. Goldie was hooked on the sound of raw breakbeat techno, and he gradually switched his allegiance to jungle from the British hip-hop scene that later generated trip-hop. Through his girlfriend DJ Kemistry (later to make her name with the mixing duo Kemistry & Storm), Goldie hooked up with Dego and Mark Mac, two of the most influential figures in the emerging drum’n’bass scene. The duo’s Reinforced Records and recordings as 4hero were fostering an increasingly artistic attitude to the music, and Goldie learned much about breakbeat production and engineering at their studios. He recorded his first single as Ajax Project, then debuted on Reinforced as Metalheadz with two 1992 singles, “Killermuffin” and “Menace.” The 1993 single “Terminator” broke him into the jungle scene — besides pioneering the crucial jungle concept of time-stretching (basically extending a sample without altering its pitch) the single evinced the growing separation between the uplifting rave scene and its emerging dark side, reliant on breakbeats and restless vibes. The name was later taken for his influential Metalheadz Records, which released material from a legion of crucial jungle artists: Photek, Doc Scott, Dillinja, Source Direct, Peshay, J Majik, Alex Reece, Lemon D, and Optical, among others. Later singles such as “Angel” and remixes for 4hero’s Reinforced label spread Goldie’s fame, and in 1995 he signed a contract with London Records. His first major-label single was “Timeless,” and his debut album of the same name followed in August 1995. He gained additional fame in early 1996, when an American tour supporting Bjrk sparked a relationship between the two and led to a brief engagement period before they called off a wedding. Goldie resurfaced in 1998 with a high-profile follow-up, SaturnzReturn, an epic two-disc set including one track, “Mother,” that in itself broke the 70-minute barrier. The album tanked with critics and fans, leading to a return to the underground later that year with the Ring of Saturn EP. Save for a handful of mix albums (most notably 2011’s Fabriclive 58), two studio efforts credited to Rufige Kru (2007’s Malice in Wonderland and 2009’s Memoirs of an Afterlife), and Sine Tempus, the 2008 soundtrack to an unreleased film directed by the man himself, Goldie’s career over the next two decades became less and less music-focused. He turned his hand to acting, appearing in Guy Ritchie’s Snatch, the James Bond film The World Is Not Enough, and the perennial BBC soap opera Eastenders. He also appeared on a number of reality TV shows, including Maestro, where he learned how to conduct a symphony orchestra, and Goldie’s Band: By Royal Appointment, where he put together a band of unknowns to perform at Buckingham Palace. He was awarded an MBE on the Queen’s 2016 Honours list for services to music and young people. A career-spanning compilation, The Alchemist, was released by Rhino in 2013. Goldie’s third solo studio album and first in nearly two decades, entitled The Journey Man, came out in 2017 through Cooking Vinyl. Guest vocalists on the album included Terri Walker, Naomi Pryor, Jos James, and Natalie Duncan, whom he had discovered while making Goldie’s Band TV show. ~ John Bush

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Com Truise – Iteration (2017) [WEB FLAC]

Com Truise - Iteration (2017) [WEB FLAC] Download

Artist: Com Truise
Album: Iteration
Genre: Electronic
Year: 2017
Size: ~ 273 mb
Source: Digital Download
Format: FLAC (tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

“Repetition is a form of change,” reads one of Brian Eno’s Oblique Strategies. Seth Haley knows the concept well, and his style of technicolour synth-wave takes the mantra as a challenge. Six years after Galactic Melt introduced the cosmic story of Com Truise, Iteration now concludes his sprawling saga. True to its name, the album is built on Com Truise hallmarks: neon-streaked melodies, big drums, robotic grooves, bleary nostalgia. But Iteration is also the most elegant and streamlined that Haley’s singular music has ever sounded. At the album’s heart is an elaborate narrative, one full of longing, hope, anxiety, and triumph. Iteration illustrates the last moments Com Truise spends on the perilous planet Wave 1, before he and his alien love escape its clutches to live in peace. “…Of Your Fake Dimension” launches the interstellar drama with its anthemic swells and widescreen sound design, before lovesick songs like “Dryswch” and “Propagation” outline scenes wrought with cybernetic pathos. Later, the frantic rhythms of “Syrthio” conjure images of panicked flight as Haley’s gorgeous synth melodies gild the action in quiet heartbreak. Then comes the resounding “When Will You Find The Limit…”, when Iteration’s pain and sadness finds liberation in the vast unknown. The closing title track ends it all in a gush of majestic revelry. So goes the winding story that Iteration tells, and yet there’s more behind its telling. “I try hard not to write from my personal life, but it’s inevitably going to seep into the music,” Haley explains. “It’s basically like I’m scoring this film in my head, but that film I’m scoring is also somehow my life.” There are glimpses of the difficult time the East Coast native spent adjusting to a new life in Los Angeles, fighting homesickness and burnout while also touring the world. It was a time full of uncertainty, transition, and self-realization. After a year and a half of living in California, Hayley finally recaptured his creativity by finding new excitement in his work. “I put more air, more breathing room in the music– that was the big change,” he says. And once that clicked, the album just poured out of him. “It was like an information dump. I feel like I finished the record in two weeks.” Such a clear refinement of the Com Truise sound took time to develop, but Iteration is well worth the patience and perseverance it cost. Some of Haley’s smartest, catchiest work is here, from the weightless pop of “Isostasy” to “Ternary”‘s lush synth-funk. A song like “Vacuume” somehow balances massive bass drops and smashing drums with angelic gasps, and “Usurper” gracefully pairs subtle poignancy and uplifting dance beats. “For me, it feels like change,” Hayley says of his second album, and yes, this is Com Truise like never before. By embracing the music’s inherent nature and peerless qualities, Iteration finds new avenues of expression in its vivid, familiar surroundings.

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Bonobo – Collection (2000-2017) [FLAC]

Bonobo - Collection (2000-2017) [FLAC] Download

Artist: Bonobo
Album: Collection
Genre: Electronic
Year: 2000-2017
Size: ~ 5.91 gb
Source: CDs, Digital download
Format: FLAC (tracks)
Quality: lossless
Sample Rate: 44.1 kHz / 16 Bit

Description:

With the experimental warmth of ’60s French films and the pizzicato flavor of horizontal hip-hop, Simon Green’s Bonobo project established the welcome niche of a pretension-free, post-party intellectual chillout upon the release of his full-length debut in 2000. Since then, his sound and scope have expanded dramatically, with his sophisticated compositions and arrangements incorporating live instrumentation and encompassing influences ranging from jazz, house, folk, and soul to African, Asian, and Middle Eastern styles of music. While Green often tours solo as a DJ, he established a live touring ensemble in 2004, performing highly orchestrated versions of his songs to immense audiences, including several sold-out headlining gigs as well as main stage performances at festivals such as Coachella and Glastonbury.

Animal Magic An almost silent figure among Ibizian romanticists, Green began in Brighton, debuting in 1999 with a track on Tru Thoughts Recordings’ When Shapes Join Together compilation. Though tempted by offers from Mute and XL after the official issue of the Scuba EP and the “Terrapin” single, Green stuck with Tru Thoughts for the acclaimed debut LP Animal Magic (2000). Highlighted by downtempo dub, funk, and an equally likable use of sitars, Animal Magic was an obvious success and plans were quickly made for careful European support appearances. In 2002, Tru Thoughts issued One Offs: Remixes & B Sides, compiling tracks from various limited vinyl releases as well as Bonobo’s remixes for artists such as Amon Tobin and Pilote.
Dial “M” for Monkey Having signed to Coldcut’s Ninja Tune label in 2001, Bonobo worked diligently on his sophomore album, Dial “M” for Monkey, which arrived in 2003. A tour to support the record followed and was documented on the 2005 EP Live Sessions, which featured a Four Tet remix of the previous album’s single “Pick Up.” Bonobo’s first mix CD, It Came from the Sea, was released in 2005 as part of Ninja Tune’s Solid Steel series. Days to Come, Bonobo’s third album, appeared in 2006, and was markedly less electronic than his previous work, with much more of a jazz influence and spotlighting the slinky vocals of India-born vocalist Bajka, as well as one song featuring Ninja Tune artist Fink. BBC Radio 1 DJ Gilles Peterson’s audience voted Days to Come Album of the Year, and media interest in Bonobo grew exponentially, with his tracks frequently being featured in films, television programs and commercials, and video games ever since.
Black Sands A performance DVD, Live at Koko, appeared in 2009, followed by the release of single “The Keeper,” which introduced the world to the vocal talents of honey-voiced British soul singer Andreya Triana. The full-length Black Sands followed in 2010, featuring Triana on two more excellent singles, “Eyesdown” and “Stay the Same,” the former of which was driven by a shuffling U.K. garage-style beat, updating Bonobo’s sound for the post-dubstep era and introducing his sound to new audiences. Green produced Triana’s debut full-length Lost Where I Belong, which Ninja Tune also released in 2010. Black Sands Remixed appeared in 2012, featuring reworks by Lapalux, FaltyDL, Machinedrum, and many others, as well as a couple of non-album tracks.
The North BordersThe North Borders, Bonobo’s fifth full-length album, arrived in 2013, featuring R&B singer Erykah Badu among its guests. The album was Bonobo’s most well-received work to date, charting in the Top 30 of the U.K. album chart and kickstarting a wildly successful international tour. By the end of 2013, Green contributed to the LateNightTales mix series, which featured Bonobo’s cover of Donovan’s “Get Thy Bearings.” The North Borders Tour: Live appeared on Ninja Tune in 2014, documenting the Bonobo live experience aurally as well as visually. During the same year, Bonobo released two EPs, Flashlight and Ten Tigers, which continued to explore his dancefloor-friendly side. Studio album Migration appeared in early 2017; the full-length featured guest appearances from Rhye, Nick Murphy (formerly known as Chet Faker), and Moroccan group Innov Gnawa.

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